More information can be accessed here
Media release for this event can be accessed here.
Opening 13 December
at UNSW Galleries, UNSW Art & Design at Paddington from 3-5pm.
RSVP to rsvp_artdesign@unsw.edu.au
Monday, December 8, 2014
Annie Aitken and Nicole Ellis are the Finalists for
The Blake Prize, 2014
More information can be accessed here
Media release for this event can be accessed here.
Opening 13 December
at UNSW Galleries, UNSW Art & Design at Paddington from 3-5pm.
RSVP to rsvp_artdesign@unsw.edu.au
More information can be accessed here
Media release for this event can be accessed here.
Opening 13 December
at UNSW Galleries, UNSW Art & Design at Paddington from 3-5pm.
RSVP to rsvp_artdesign@unsw.edu.au
Anie Nheu: Intimate Worlds
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| Anie Nheu. The Handstand (left), Ingested (right). 2014. |
Images of other works and background information can be accessed through this link
Venue AirSpace Projects Artists Catherine Rogers Kaye Shumack Fleur MacDonald Stephanie Montieth Anie Nheu Exhibition Dates 5th December - 20th December
Anie Nheu and Anthony Cahill are the Finalists for
Fisher's Ghost Art Award, 2014
More than 800 entries were received this year, hence the long list of Finalist also. For more details on this event, access through here
Venue Campbelltown Arts Gallery
Exhibition Dates 25th October to 15th December
More than 800 entries were received this year, hence the long list of Finalist also. For more details on this event, access through here
Venue Campbelltown Arts Gallery
Exhibition Dates 25th October to 15th December
Wednesday, October 29, 2014
Gail Kenning at Factory 49
(Gail will not be present at opening due to illness)
GAIL KENNING: MEMORY TRIGGER
Textiles, textures and
patterns are evocative. Fabrics are frequently associated with events, but they
also trigger emotional memory.
Following on from Gail's Weaving Narratives series, this work is a profile: fragments are interwoven
to trigger emotions and memories and create new emotional responses.
For more info go to gailkenning.com or email gail@gailkenning.com
For more info go to gailkenning.com or email gail@gailkenning.com
Show runs 30 Oct - 8 Nov. Showroom hours are 1-6pm Thu-Sat Follow us on Facebook or visit http://factory49.blogspot.com/
Wednesday, September 17, 2014
Sunday, August 17, 2014
Sue Pedley : Sound Lines
Opening Thursday 28th August 6-8pm
Articulate Project Space Upstairs
497 Parramatta Rd, Leichhardt Sydney
Also at Articulate project space is Helen Grace Out of Sight
Exhibition Dates August 28 to September 14
Gallery Opens on Friday, Saturday, Sunday 11-5
Sound Lines is a series of drawings made during a textile field trip in Gujurat, India (February 2014) and at a Land Art Project in Fall, Norway (July 2014).
The chinagraph drawings and rubbings were made on a tour of textile factories, workshops and museums in Gujurat. They were made “on the run”, in buses, museums, artisan studios and ancient mosques, temples and traditional step wells. There are line drawings of colourful and intricate embroideries from Ahmedabad’s Calico Museum and others from the Rabari embroidery workshop at Kala Raksha; the rubbings were made at Gandhi ’s ashram, in markets and woodblock workshops.
The drawings were made in Norway as research for a site specific work titled ‘Birch Bridge’. The materials for the work–birch wood, hemp, brooms and pans–were found in situ, except for a woollen fleece bought from Tasmania (my birth place) specifically for the project. Carbon paper was used to copy each drawing and rubbing, the carbon copy becoming in turn the foundation for a new work. A number were made in response to sound works by composers in the project; other artists collaborated in drawing.
Each collection of drawings was made in a particular location, over a three week period in the company of artists and designers. Gathered together, exhibited side by side, they are a diary of images, conversations, history, fast impressions…grounds for a deeper understanding of a new place and the complex layers of history that go to make up each site’s identity.
Land Art Project Participants: Boyd, Alison Clouston, Caroline Ho-Bich-Tuyen Dang, Kaisu Koivist, Egil Martin Kurdol, Kjell Samkopf
More information on Sue Pedley's works: www.suepedley.com.au
Monday, July 14, 2014
Therese Kenyon 'The Water Rushed in...' exhibition opening 13 August 5.30pm 2014
Predominantly works on paper and drafting film, the exhibition is at the Annexe, Brenda May Gallery Danks St, Waterloo as the final exhibition of guest curator Akky van Ogtrop's project Het Papier, 2014.
In its violence, water takes on a characteristic
wrath; in other words, it is easily given all the psychological features of a
form of anger. Man rather glibly boasts of checking this anger. Thus violent water
becomes water to which one does violence. A malicious duel between man and the
floods begins.
Gaston Bachelard
This installation of drawings features work around the idea of water being an expression of precariousness. Drawing on a centuries-old painting of Chinese flood imagery, I use the iron wire line (precursor to manga) as an illustrative element alongside Asian pictorial structures such as the vertical scroll format to create a new sequence of works. The common denominator is imagery of people being rescued, taken from photographs of the storm surge in Zeeland, the Netherlands in 1953 and televised footage of Hurricane Sandy on the east coast of North
America in 2012.
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| Infrastructure Undone by Nature Therese Kenyon 2014 Ink and gouache on paper 3.5 m x 95cm |
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| Runoff Therese Kenyon 2014 Gouache on paper 3.5 m x 95cm |
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| Detail Runoff Therese Kenyon 2014 |
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| Exodus Therese Kenyon 2014 Layers of drafting film over Rives BFK paper 90cm x 120cm |
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| The Water Rushed in... Therese Kenyon 2014 Acrylic on canvas 91cm x91 cm |
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| Detail The Water rushed in...Therese Kenyon 2014 |
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| Detail Zeeland 1953 Therese Kenyon 2014 Layered drafting film over ink on paper 3.5 m x 95cm |
Saturday, July 12, 2014
PlayBox : a Work in Progress
Jan Fieldsend and Anie Nheu are collaborating on a joint exhibition at AirSpace Projects.
The journey has been a metaphor of making sense through objects, relating, displacing, assembling and distilling differences.
Exhibition opens on 1st of August.
Working images:
The journey has been a metaphor of making sense through objects, relating, displacing, assembling and distilling differences.
Exhibition opens on 1st of August.
Working images:
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| Installation View |
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| Jan Fieldsend. Untitled, 2014. |
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| Anie Nheu. Crepuscule 2014, oil on plywood |
Friday, July 11, 2014
Anie Nheu : Finalist of Mornington Peninsula National Works on Paper Prize, 2014
With over 1000 entries submitted to Mornington Peninsula Regional Art Gallery for the Paper Prize, Anie was one of the 66 finalists selected.
For full details, visit the Mornington Peninsula Regional Art Gallery link
Exhibition Dates 23 May - 20 July 2014
For full details, visit the Mornington Peninsula Regional Art Gallery link
Exhibition Dates 23 May - 20 July 2014
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| Baggage, 2012. mixed media on board. 76 x 50 cm |
Wednesday, July 2, 2014
Sunday, March 16, 2014
Saturday, March 8, 2014
The Democracy of Drawing 2 - Art Month Sydney Event
OPENING Friday, 14th March 6-8pm
EXHIBITION continues to 22nd March
LOCATION AirSpace Projects
1/10 Junction Street, MARRICKVILLE NSW 2204
Monday, February 17, 2014
One Metre Max : a MOST Event 2014
Tuesday, February 11, 2014
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