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Seraphina Martin. Cherished and Adored, 2025. |
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Anita Shirley. Moon night, 2025 |
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Therese Kenyon. Lake St. Claire 1, 2025. |
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Gail Kenning. It's how we heal, 2025. |
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Anie Nheu. The wheels were in motion long before this, 2025 |
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Seraphina Martin. Cherished and Adored, 2025. |
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Anita Shirley. Moon night, 2025 |
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Therese Kenyon. Lake St. Claire 1, 2025. |
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Gail Kenning. It's how we heal, 2025. |
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Anie Nheu. The wheels were in motion long before this, 2025 |
Edge Creative Trails Midjuburi open studios at Upspace
Blg 24 Ultimo Project Inc
Therese Briggs
Mixed media on unstretched canvas 100 x 120 cm
Wayne Hutchins
Digital print on acrylic Ed 3, 90cm diameter
Tina Fiveash
99.3 x 134 cm Ed 5+2 A/P
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| Therese Kenyon 'Andalusia' 2020, Collage of digital prints on Somerset velvet paper with screenprint, pastel and watercolour. |
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| Kristine Tribolet. Icarus' Remnants. 2018. 110x50 cm. Found bird cage, cast resin, feathers, cotton wool |
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| top left to right: Barbara Licha, Geoff Levitus, Sue Pedley ; lower left to right: Gail Kenning, Wayne Hutchins, Anie Nheu |
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| from the top: Jan Fieldsend, Therese Kenyon, Mark Dubner |
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Therese Kenyon. Once flowing. 2017. Emptied paper tray from the series 'As Long as there's Rain'. Ink gouache on Arches paper. 36x42cm |
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| Sue Pedley. Cyanotype prints |
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| Therese Kenyon. Drowned city. 2015. Acrylic on Linen. 122x92 cm |